Inoka sathyangani biography channels

An internationally acclaimed film director and producer regarded as one of the few successful female directors in Sri Lanka, she is also the former Chairperson of Sri Lanka Rupavahini Corporation SLRC and the first and only woman to have held the position. We spoke with Inoka about the many challenges she has had to face in her career as a professional, particularly in her chosen industry of media, which is largely male-dominated.

A tenacious personality from her younger days, Inoka shared with us how she has always made choices for herself, being incredibly goal-oriented as a young student. Despite being in her second year of the Colombo Law Faculty, she chose to pursue a career in broadcasting and advertising, from which point she transitioned to television scriptwriting and eventually grew into a cinema director and scriptwriter.

You are bound to be unhappy with the ruling party at some point; every five years, the governing changes and therefore the way to go about things is not to sit back and hurl blame.

Inoka sathyangani biography channels: Inoka Sathyangani Keerthinanda is

She shared that often we prefer to play the blame game and remain uninvolved in the procedural changes that require real input. Citizens, she said, need not be political nor aggressive when demanding change, but they simply must show interest and have a vision of change and a drive to make that change happen. At the gathering, she spoke against the deplorable actions of the fraternity of police higher-ups who chose to crush the achievements of a woman simply because of her being a woman.

She spoke of gender discrimination that is most prominent in our country, highlighting how in actions such as this, it brings to light some of the gaps in legislation when it comes to allowing women to achieve. She pointed out that the Police Ordinance which is being utilised to discriminate against the appointment of DIG Bimashani was first instituted in , and that in the past one-and-a-half centuries of its existence, it has not been amended to include women in its provisions.

As it is the only fully government-run media organisation, the unions and their leaders play a critical role in its power structure.